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Sandeep Aur Pinky Faraar: Too slow for slow-burn impact
Dark and quirky, sombre and amusing. Dibakar Banerjee's cinema is often typified by ironies. With "Sandeep Aur Pinky Faraar", the filmmaker tries using the trademark idiom to narrate a story of the societal divide that erupts when a…
Roohi: Horribly boring
Stree was smart stuff, Roohi seems like random fare. The comparison had to crop up, the only reason the producers seem to have made Roohi is because they struck gold with Stree. Blending horror with humour looked so easy in Stree. Clearly…
Bombay Begums: Defined by its performances
A bank CEO's son runs over a lower-class boy. The victim's poor parent spots a get-rich-quick scheme through blackmail. A public scandal could end the CEO's career and so it is best to pay up, and then pay some more.Sounds like standard…
The Girl On The Train: Derailed drama
Don't sit on the edge of your seat as you watch this, you might just fall off dozing.They needn't worry about comparisons, there's scope for none. Ribhu Dasgupta's Bollywoodised rehash (oops, adaptation) of Paula Hawkins' bestseller of the…
Footnotes Review : Footnotes starring Vikram Kochhar , is a delectable bite of quotidian lifestyle !
Director : Monjoy Joy Mukerji
Writer : Monjoy Joy Mukerji
Cast : Vikram Kochhar and Prity Singhaniya
Language : Hindi
Duration : 22 minutes
Critic's Rating : **** 3.5 Stars
Reviewer : S. K. De
The positive aspect of the lockdown is…
Drishyam 2: Slow burn suspense drama
The beauty of Drishyam lay in the finality of its end. As Mohanlal's Georgekutty buried the truth (literally) and got away with the perfect cover-up, there was hardly scope to dig out anything new, you would think -- for scriptwriter or…
Lahore Confidential : Absolutely, uniformly a mess
Few films manage a level of absolute uniformity in the quality they peddle -- in terms of writing, direction, acting and tech-specs. Lahore Confidential is that film. It is absolutely, uniformly a mess.Once upon a time Kunal Kohli made a…
The White Tiger: Witty, wicked, well made
"Don't believe for a second there's a million-rupee game show you can win to get out of it". That's Balram Halwai thinking aloud, outlining the squalid poverty that he lives every day, as opposed to what Jamal Malik in Slumdog Millionaire…
The Power: The Godfather gets a dated rehash
Mahesh Manjrekar probably made The Power because he wanted to play out his Marlon Brando/Amitabh Bachchan fantasies. You don't find much of a reason otherwise, for this film to be made. In this umpteenth reimagining of The Godfather,…
Tribhanga: Peculiar mix of brilliant and banal
The great thing about Kajol is she can light up a scene as few stars do, with her zeal to enthral. The flip side is she can burn down a scene, too, if the zeal goes overboard. It is a rarity, but we have seen it happen.In Tribhanga, Kajol…